On the beginning centenary 12 months of Dev Anand, Mala Sinha seems again on her first day on the units with the actor
On the beginning centenary 12 months of Dev Anand, Mala Sinha seems again on her first day on the units with the actor
When I used to be first paired reverse Dev saab in Love Marriage in 1959, he was the most important star in Hindi movies. Educated, good-looking, flashing one million greenback smile, he was the romantic idol of Indian youth. Above all, Dev saab was by no means abusive or vulgar; he paired efficiently reverse each main girl of his interval.
On the primary day of taking pictures, director Subodh Mukherjee launched me to Devsaab, who greeted me with a heat handshake. I used to be pleasantly astonished when he complimented me for my performances in Pyasa and Phir Subha Hogi. During that interval, no different hero commanded the recognition he had amongst feminine followers.
He revered me and addressed me by my first identify. On the units. he was a radical skilled. Every co-star, technician and spot boy acquired due consideration and cooperation from Dev saab. He by no means threw starry airs.
As an actor, he was not easy and versatile like Ashok Kumar, spontaneous and passionate like Raj Kapoor, modern like Guru Dutt or brilliantly comedian like Kishore Kumar. But, Dev saab had his personal distinctive, inimitable type that made his performances particular as any main actor again then.
Mala Sinha in ‘Love Marriage’
| Photo Credit: The Hindu Archives
His romantic scenes, mixed with feelings, innocence, mischief and comedy, made him a cult determine. He additionally had a particular means of performing music sequences. Almost each actor of later generations tried copying his romantic type however none got here shut might come anyplace close to him. We would usually communicate on many topics like Bengali tradition, literature and social life. Dev saab was a voracious reader and forward of the instances. That distinguished him from different actors in a giant means.
He wished to solid me in Navketan’s Hum Dono, a personality that in the end went to Nanda as I used to be busy with movies like Ujala, Main Nashe Mein Hun and Dharamputra. Today, I’ve no regrets about lacking a traditional like Hum Dono as my expensive good friend, Nanda, did true justice to her function.
We had been once more paired collectively in Din Dayal Kashyap’s Maya in 1961. By then, Dev saab was a extra mature actor. He at all times ensured that everybody of his unit was duly paid although they weren’t his productions. His friendship with Guru Dutt is really a lesson for as we speak’s actors who not often worth friendship.
I really feel he ought to have converted to extra mature characters within the Seventies and Eighties, moderately than choosing writing and directing. The new technology of cinegoers wished to see him in roles which suited his aged age and appears. Dev saab to me will at all times stay the everlasting, optimistic romantic.
Source: www.thehindu.com