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    Home » Nazriya: I used to be dedicated to ‘Ante Sundaraniki’ even earlier than Fahadh had given his nod to ‘Pushpa – The Rise’

    Nazriya: I used to be dedicated to ‘Ante Sundaraniki’ even earlier than Fahadh had given his nod to ‘Pushpa – The Rise’

    EditorialBy EditorialJune 7, 2022Updated:June 7, 2022 Entertainment No Comments5 Mins Read
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    Actor Nazriya Nazim opens up on her Telugu debut ‘Ante Sundaraniki’ and the way she and her husband Fahadh Faasil are aware of the fickleness of fame

    Actor Nazriya Nazim opens up on her Telugu debut ‘Ante Sundaraniki’ and the way she and her husband Fahadh Faasil are aware of the fickleness of fame

    Ante Sundaraniki, directed by Vivek Athreya and co-starring Nani, marks Nazriya Nazim’s debut in Telugu cinema. This is a brand new territory for the actor who has up to now labored in Malayalam and Tamil cinema. During this interview on the Mythri Movie Makers manufacturing workplace in Hyderabad, Nazriya factors out the coincidence of her husband Fahadh Faasil making his Telugu debut in Pushpa – The Rise, backed by the identical manufacturing home: “I had committed to Ante Sundaraniki a few months before Fahadh had given his nod to Pushpa. To a small extent, I think my decision to do a Telugu film might have made him say yes to Pushpa. Unlike me, he is skeptical about working in a new language.”

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    Nazriya remembers listening to writer-director Vivek Athreya’s narration over a Zoom name, in Tamil. “I was fully immersed in the narration and in no time, the language of the film stopped mattering to me. I was in love with the story. There is a lot of humour; the characters are true-to-life and beneath that layer of fun is a story narrated with a lot of heart. What is shown in the promos, about interfaith marriage, is only one part of the story. Only at the end of the narration, did it sink in that I will have to learn Telugu.”

    Storm inside

    Ante Sundaraniki traces the lives of Leela Thomas performed by Nazriya and Sundar Prasad performed by Nani. Being Leela, says Nazriya, was an fascinating journey: “She is more restrained than me but much stronger.” Off-screen, Nazriya is understood to be a livewire, and says the hardest a part of being Leela was to convey her turmoil with out ostensibly breaking down: “Leela is not the kind to shed copious tears. I needed to emote such that viewers know there is a storm brewing within her, even though she appears calm.”

    Nazriya Nazim
    | Photo Credit: Thulasi Kakkat

    Nazriya took the assistance of a language coach, Divya, who’s adept in Malayalam, Tamil and Telugu: “I drove Divya nuts. I wanted to know every Telugu word in its context, with the intonation. Initially, comprehending simple words such as ala, ela, ila also took time. Before the film went on the floors, I learnt not only my lines but also everyone else’s. When I went to shoot, language was not a big concern.”

    Vivek Athreya and Nani have typically shared their appreciation of Nazriya for studying Telugu swiftly. Athreya states that she might nearly match as much as Nani’s fast-paced Telugu. Nazriya laughs it off saying, “I am a good actor, I can act like I can do it well. Nani’s Telugu used to go over my head. He usually speaks fast. In this film, it is even faster.” 

    Nazriya dubbed for the Telugu model over 10 days and by the way, didn’t dub for Tamil (Adede Sundara) and Malayalam (Aha Sundara): “Usually I take two to four days to dub for a film. But here I was, dubbing for 10 days in Telugu. Given the time constraints, I could not dub in Tamil and Malayalam though I wanted to.”

    Nani and Nazriya in ‘Ante Sundaraniki’

    Nani and Nazriya in ‘Ante Sundaraniki’
    | Photo Credit: Special Arrangement

    She plans to observe Ante Sundaraniki with the viewers in Hyderabad on June 10 and mentions that Fahadh, who’s filming in Salem, Tamil Nadu, can be eager to observe the movie on day one. In between her pre-release promotions, Nazriya watched Vikram and is all appreciative: “It is an amazing film and a sheer joy to watch Kamal Haasan sir on screen. Of course, I liked my husband’s work as well. The biggest high for Fahadh, in Vikram, was to be around Kamal sir; and he loves Lokesh’s (director Lokesh Kanakaraj) work.”

    Fickleness of fame

    A look at Nazriya’s filmography and one would know there isn’t a fastened sample. She admits she chooses her movies instinctively and isn’t right here for the rat race. The lack of dependancy to the highlight, she says, stems from debuting as a baby artiste and getting appreciated even earlier than she might realize it. “As I grew up, I knew that I cannot let everything that comes with fame control my life. I love cinema and each time I accept a film, I go all out to do my best. But cinema is not the only thing I value in life. I am lucky to work in a field that I love and blessed that people welcome me with warmth each time I do a film. As and when I like a script, I say yes.” She pauses and goes on so as to add, “Quite often, Fahadh and I discuss how we are in an industry that is so unstable; A lot depends on how an actor looks or the success of the previous film. I say yes only when I am truly excited about the script. In the case of Ante… I am excited to watch a fun film after all the recent big, intense action dramas.”

    Source: www.thehindu.com

    Ante Sundaraniki Fahadh Faasil Nazriya Nazim Telugu cinema Vikram
    Editorial
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