It is tough to think about Malayalam cinema with out Innocent. It is tough to consider that we’ll not see that smile, disarming but mischievous; that we’ll not have the ability to hear these marvellously humorous anecdotes from him, in that charming Thrissur slang of his.
He was considered one of Malayalam cinema’s best actors of all time.
Even whereas being within the firm of stalwarts of Malayalam cinema, he commanded consideration. Remember these unforgettable scenes with Thilakan in Kilukkam. Or his scenes with Mohanlal in Devasuram.
Every position was secure in his arms. Yet, comedy was his forte. Only Jagathy Sreekumar has most likely been a part of as a lot basic comedy as Innocent. Yes, now we have had nice comedian actors prior to now, and none higher than Adoor Bhasi. But Bhasi didn’t get to do a lot high quality comedy just like the actors of the Eighties and 90s. For, in Bhasi’s time, there weren’t many scriptwriters like Sreenivasan, Raghunath Paleri or Siddique-Lal: they’re writers for whom comedy isn’t slapstick. It is not any shock that a few of Innocent’s greatest works got here of their movies.
Actors like Thilakan, Innocent, Jagathy, Mukesh, Sreenivasan, Shankaradi, Oduvil Unnikrishnan, Jagadeesh, Mamukkoya, KPAC Lalitha, Meena (the late actress), Kalpana and Philomina have been fortunate in that sense. Though they might not have been the superstars, they bought to enact well-written roles in what was the golden interval of Malayalam cinema. Sadly, most of those actors have disappeared from our screens. Now now we have misplaced Innocent, too. It is a comfort although that, due to YouTube and OTT platforms, we might proceed to get pleasure from all these classic scenes of Innocent. He is one actor whom film lovers won’t ever get bored with watching.
When you look again at Innocent’s filmography, recollections of his roles will carry a smile in your face. You shall be amazed to recall what number of memorable roles he bought to play in his profession that started within the early Nineteen Seventies, however took off within the late Eighties.
It was the shock hit of 1989, Ramji Rao Speaking , that cemented Innocent’s place as considered one of Malayalam’s prime comedians. He performed the position of the proprietor of a struggling theatre firm. The debut movie of Siddique-Lal allowed him sufficient display screen area to showcase his expertise.
A number of different movies additionally noticed him play central characters, like Gajakesariyogam, Dr. Pasupathi, Kabooliwala, and later Patham Nilayile Theevandi, which confirmed how good he could possibly be in dramatic roles as properly. If extra such roles had come his manner, his repertoire as a performer would have been wider. Not that he wanted to do something in addition to comedy to make sure immortality. Even just a few scenes of him would have been sufficient for that. Like the couple of scenes in Kilukkam: he telling his employer (Thilakan) that he was resigning his job because the servant; and Revathi deceiving him telling that he had received the lottery. There can be that unforgettable scene within the underrated Kamal movie Azhakiya Ravanan: Innocent, who performs a area people chief, failing to get one dialogue proper whereas taking pictures for a movie. We can’t think about another actor doing such scenes or roles. That is why it’s tough to think about Malayalam cinema with out considered one of its most gifted actors.